Art, Craft and Design (J170) is a broad-based course requiring learners to work in two or more specification titles (Fine Art, Graphic Communication, Photo
Topic Synopsis
Art, Craft and Design (J170) is a broad-based course requiring learners to work in two or more specification titles (Fine Art, Graphic Communication, Photography, Textile Design, Three-Dimensional Design, or Critical and Contextual Studies). It emphasizes an increased breadth of approach, requiring the application of traditional and/or digital techniques and processes across chosen specialisms to generate practical work and personal outcomes.
Key Concepts & Core Principles
- Portfolio (Component 1): A sustained project (60% of total marks) where students develop a personal investigation from a starting point of their choice. It includes a final outcome and a selection of supporting work showing the creative journey.
- Externally Set Task (Component 2): A timed, supervised exam (40% of marks) where students respond to a theme set by OCR. They have a preparation period (approx. 10 weeks) to research and develop ideas, then produce a final outcome in 10 hours of supervised time.
- Assessment Objectives (AOs): Four equally weighted criteria: AO1 (Develop ideas through investigations), AO2 (Refine ideas through experimenting with media), AO3 (Record ideas and observations), and AO4 (Present a personal and meaningful response). Students must address all AOs in both components.
- Media and Processes: Students must work in at least two areas from art, craft, and design (e.g., fine art, graphic communication, textiles, 3D design). They should demonstrate skill in both traditional and digital techniques where appropriate.
- Contextual References: Researching artists, designers, and cultures is essential. Students must show how their work is influenced by others, but also develop their own unique style. Annotations and written analysis are part of the portfolio.
Exam Tips & Revision Strategies
- Ensure the portfolio demonstrates a clear journey of development from initial investigation to final personal outcome.
- Use the 'best-fit' approach when applying marking criteria.
- Ensure internal standardisation is conducted across all titles and teaching groups to ensure consistent application of marking criteria.
- Select and organize work to showcase the best achievement in response to the assessment objectives.
- Ensure drawing is used as a tool for recording, observation, and development, not just as a final product.
Common Misconceptions & Mistakes to Avoid
- Failing to work in two or more distinct specification titles.
- Insufficient breadth of approach compared to single-title specifications.
- Lack of clear links between contextual research and practical outcomes.
- Inadequate use of specialist vocabulary.
- Failure to demonstrate safe working practices.
- Not identifying or acknowledging all sources used in a bibliography.
Examiner Marking Points
- Evidence of meeting all four assessment objectives (AO1, AO2, AO3, AO4) across the submission as a whole.
- Demonstration of skills, knowledge, and understanding through area(s) of study relevant to two or more chosen specification titles.
- Exploration of practical and relevant critical and contextual sources, including historical and contemporary practitioners.
- Application of traditional and/or digital techniques and processes specific to the chosen titles.
- Use of appropriate specialist vocabulary through visual communication and/or written annotation.
- Realisation of personal intentions through the sustained application of art, craft and design processes.
- Use of drawing skills for different needs and purposes appropriate to the chosen titles and areas of study.