Art, Craft and Design (J170) is a broad-based course requiring learners to work in two or more specification titles (Fine Art, Graphic Communication, Photo
Topic Synopsis
Art, Craft and Design (J170) is a broad-based course requiring learners to work in two or more specification titles (Fine Art, Graphic Communication, Photography, Textile Design, Three-Dimensional Design, or Critical and Contextual Studies). It emphasizes an increased breadth of approach, requiring the application of traditional and/or digital techniques and processes across chosen specialisms to generate practical work and personal outcomes.
Key Concepts & Core Principles
- Formal Elements: Mastery of line, tone, colour, texture, pattern, shape, form, and space is fundamental. You must be able to use these elements intentionally to create mood, depth, and emphasis in your work.
- Media Experimentation: Actively explore a wide range of materials (e.g., graphite, charcoal, watercolour, acrylics, clay, wire, digital software) and processes (e.g., etching, screen printing, collage, assemblage). Document your experiments to show risk-taking and refinement.
- Observational Drawing: The ability to record from direct observation accurately is crucial. Practice drawing from life, using different viewpoints and scales, to develop hand-eye coordination and analytical skills.
- Composition and Design Principles: Understand how to arrange elements within a format using principles like balance, contrast, rhythm, proportion, and unity. This applies to both 2D and 3D work.
- Refinement and Evaluation: The iterative process of reviewing and improving your work. Regularly assess your progress against your intentions and make informed decisions to enhance outcomes.
Exam Tips & Revision Strategies
- Ensure the portfolio demonstrates a clear journey of development from initial investigation to final personal outcome.
- Use the 'best-fit' approach when applying marking criteria.
- Ensure internal standardisation is conducted across all titles and teaching groups to ensure consistent application of marking criteria.
- Select and organize work to showcase the best achievement in response to the assessment objectives.
- Ensure drawing is used as a tool for recording, observation, and development, not just as a final product.
Common Misconceptions & Mistakes to Avoid
- Failing to work in two or more distinct specification titles.
- Insufficient breadth of approach compared to single-title specifications.
- Lack of clear links between contextual research and practical outcomes.
- Inadequate use of specialist vocabulary.
- Failure to demonstrate safe working practices.
- Not identifying or acknowledging all sources used in a bibliography.
Examiner Marking Points
- Evidence of meeting all four assessment objectives (AO1, AO2, AO3, AO4) across the submission as a whole.
- Demonstration of skills, knowledge, and understanding through area(s) of study relevant to two or more chosen specification titles.
- Exploration of practical and relevant critical and contextual sources, including historical and contemporary practitioners.
- Application of traditional and/or digital techniques and processes specific to the chosen titles.
- Use of appropriate specialist vocabulary through visual communication and/or written annotation.
- Realisation of personal intentions through the sustained application of art, craft and design processes.
- Use of drawing skills for different needs and purposes appropriate to the chosen titles and areas of study.