Lord Byron’s lyric poem serves as a quintessential Romantic meditation on the synthesis of physical and spiritual perfection. The speaker observes an unnamed woman, comparing her beauty to a cloudless, starry night, thereby establishing a central conceit of harmonious antithesis between light and darkness. Moving beyond the traditional blazon, the text transitions from external admiration of her features to a physiognomic reading of her inner virtue. The progression from the visual 'starry skies' to the internal 'heart whose love is innocent' argues that aesthetic beauty is the direct manifestation of moral purity. This text is a staple of the Romantic canon, exemplifying the era's fascination with the sublime and the idealisation of the feminine.
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