Pearson Edexcel · A-Level · English Literature

    Course version: 9ET0 · Version from Sept 2015

    Poetry – Section B: Specified Poetry Pre- or Post-1900 – Pre-1900 – The…

    Full specification wording

    Component 3: Poetry – Section B: Specified Poetry Pre- or Post-1900 – Pre-1900 – The Victorian Period – Christina Rossetti Selected Poems, editor Dinah Roe (Penguin, 2008): At Home

    'At Home' explores the profound isolation of the afterlife and the painful reality of being forgotten by the living.

    Checked against the Pearson Edexcel 9ET0 specification (opens in a new tab) on .

    • Point 7 of 18
    • 4 key terms

    Study notes

    From the checked teaching notes for this specification point.

    The idea

    'At Home' explores the profound isolation of the afterlife and the painful reality of being forgotten by the living. The poem is narrated by a spirit who returns to their former home, only to observe their friends feasting and making future plans without them. Rossetti contrasts the vibrant, sensory world of the living—characterised by 'plums' and 'peaches'—with the silent, invisible state of the ghostly speaker. The recurring motif of 'To-morrow' highlights the living's forward-looking perspective, which sharply contrasts with the speaker's static existence in the past.

    What earns the marks

    • Analyse the contrast between the sensory, vibrant language used for the living and the ethereal, silent existence of the ghostly speaker.
    • Evaluate the structural repetition of 'To-morrow' and how it emphasises the living's focus on the future, excluding the dead.
    • Explore the use of the first-person spectral narrator to evoke feelings of alienation, grief, and the inevitability of being forgotten.
    • Discuss the poem's context within Victorian mourning culture and Rossetti's own Tractarian beliefs regarding the soul's sleep.

    Common mistakes and how to put them right

    • Misinterpreting the living friends as malicious.

      Put it right: Understand that their moving on is a natural, albeit painful, part of the human experience, not an intentional slight.

    • Overlooking the significance of the title.

      Put it right: Analyse how 'At Home' is deeply ironic, as the speaker is entirely alienated in their former domestic space.

    • Ignoring the sensory imagery.

      Put it right: Explicitly contrast the physical consumption of fruit by the living with the immateriality of the ghost.

    Exam tips

    • Link the theme of memory and being forgotten to other Rossetti poems like 'Remember' or 'Song (When I am dead, my dearest)'.
    • Analyse the shift in tone from the observation of the living to the speaker's internal realisation of their own irrelevance.
    • Discuss how the regular rhyme scheme and meter create a sense of inevitability and the relentless passage of time.

    Try the lesson

    The start of the Component 3: Poetry – Section B: Specified Poetry Pre- or Post-1900 – Pre-1900 – The Victorian Period – Christina Rossetti Selected Poems, editor Dinah Roe (Penguin, 2008): At Home lesson, made from checked teaching notes for this specification point.

    Have a go first

    In Christina Rossetti's poem 'At Home', what is the central situation of the speaker?

    Listen

    At Home' explores the profound isolation of the afterlife and the painful reality of being forgotten by the living. The poem is narrated by a spirit who returns to their former home, only to observe their friends feasting and making future plans without them. Rossetti contrasts the vibrant, sensory world of the living—characterised by 'plums' and 'peaches'—with the silent, invisible state of the ghostly speaker. The recurring motif of 'To-morrow' highlights the living's forward-looking perspective, which sharply contrasts with the speaker's static existence in the past. A strong answer earns marks for these points. Analyse the contrast between the sensory, vibrant language used for the living and the ethereal, silent existence of the ghostly speaker. Evaluate the structural repetition of 'To-morrow' and how it emphasises the living's focus on the future, excluding the dead. Explore the use of the first-person spectral narrator to evoke feelings of alienation, grief, and the inevitability of being forgotten. Discuss the poem's context within Victorian mourning culture and Rossetti's own Tractarian beliefs regarding the soul's sleep. A common slip: Misinterpreting the living friends as malicious. Instead, understand that their moving on is a natural, albeit painful, part of the human experience, not an intentional slight. Exam tip: Link the theme of memory and being forgotten to other Rossetti poems like 'Remember' or 'Song (When I am dead, my dearest)'.

    See it

    A top-down flowchart. The first node, 'Spirit returns to former home', leads to 'Observes friends feasting'. That leads to 'Living make future plans without the speaker', which branches two ways. One branch goes to 'Sensory world of the living: plums and peaches', then to 'Contrast with silent, invisible ghostly speaker'. The other branch goes to 'Recurring motif of To-morrow', then to 'Living look forward; speaker static in the past'. Both of these branches converge on 'Speaker's realisation of own irrelevance', which leads finally to 'Profound isolation of the afterlife'.
    It shows how the spirit's return to the former home leads, through the contrast between the living and the ghostly speaker and the motif of 'To-morrow', to the speaker's realisation of irrelevance and isolation.

    Key words

    Say what each word means before you turn the card.

    Isolation and alienation

    Try answering aloud or in your head before turning the card.

    Memory and forgetting

    Try answering aloud or in your head before turning the card.

    Death and the afterlife

    Try answering aloud or in your head before turning the card.

    Time and transience

    Try answering aloud or in your head before turning the card.

    See every definition
    Isolation and alienation
    The profound isolation of the afterlife and the speaker's alienation in their former domestic space, where they are entirely alienated.
    Memory and forgetting
    The painful reality of being forgotten by the living, who move on as a natural part of human experience.
    Death and the afterlife
    The silent, invisible state of the ghostly speaker, contrasted with the vibrant, sensory world of the living.
    Time and transience
    The living's forward-looking perspective, emphasised by the recurring motif of 'To-morrow', which contrasts with the speaker's static existence in the past.

    Label the diagram

    Some boxes have lost their names. Pick the right name for each number.

    The diagram again, with 3 boxes numbered instead of named. A top-down flowchart. The first node, 'Spirit returns to former home', leads to 'Observes friends feasting'. That leads to 'Living make future plans without the speaker', which branches two ways. One branch goes to 'Sensory world of the living: plums and peaches', then to 'Contrast with silent, invisible ghostly speaker'. The other branch goes to 'Recurring motif of To-morrow', then to 'Living look forward; speaker static in the past'. Both of these branches converge on 'Speaker's realisation of own irrelevance', which leads finally to 'Profound isolation of the afterlife'.
    • 1Box 1

    • 2Box 2

    • 3Box 3

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