This subtopic centres on the preparation and performance of the Grade 2 National Tap Dance examination, as prescribed by the NATD. Candidates consolidate c
Topic Synopsis
This subtopic centres on the preparation and performance of the Grade 2 National Tap Dance examination, as prescribed by the NATD. Candidates consolidate core tap vocabulary, refine rhythmic precision, and integrate basic performance skills to communicate the character of the dance. The focus is on demonstrating a developing technical foundation, clear musical understanding, and an emerging sense of personal expression within a solo presentation.
Key Concepts & Core Principles
- Turnout and alignment: Maintaining correct rotation from the hips and proper spinal alignment during all exercises, especially in ballet, to prevent injury and improve line.
- Rhythmic accuracy: Executing steps in time with the music, including syncopation and changes in tempo, particularly in tap where clear, crisp sounds are essential.
- Coordination of arms and legs: Performing movements that require independent control of upper and lower body, such as port de bras combined with pliés or tendus.
- Dynamic contrast: Varying energy and quality of movement (e.g., sharp vs. sustained) to add expression and interest to the performance.
- Spatial awareness: Moving accurately through the dance space, including changes in direction, levels, and pathways, while maintaining alignment and focus.
Exam Tips & Revision Strategies
- Practice each sequence with a metronome to internalise tempo before working with the music.
- Focus on producing clean, precise tap sounds rather than speed—quality over quantity.
- Film yourself performing and critically assess your posture, use of space, and facial expression.
- Before the exam, warm up thoroughly and remind yourself to breathe and enjoy the performance to help control nerves.
Common Misconceptions & Mistakes to Avoid
- Rushing through sequences due to nerves, causing loss of musicality and blurred tap sounds.
- Confusing the technique of a shuffle (forward brush, back brush) with a flap (brush forward, step), resulting in indistinct rhythm.
- Tensing shoulders or looking at feet throughout, which negatively affects posture and performance quality.
- Lack of dynamic contrast, making the performance appear monotonous and lacking in musical phrasing.
Examiner Marking Points
- Award credit for accurate reproduction of the choreographed steps in the correct order.
- Credit clear differentiation between tap sounds (e.g., shuffle vs. flap, toe vs. heel).
- Credit consistent timing with the music, with no noticeable loss of beat.
- Credit demonstration of appropriate stage presence, including use of focus and eye contact with the examiner/audience.
- Award credit for maintaining a strong centre and controlled arm lines, avoiding unnecessary tension.