The RSL Entry 2 Graded Examination in Classical Ballet: Premiere introduces candidates to foundational ballet technique, emphasizing posture, coordination,
Topic Synopsis
The RSL Entry 2 Graded Examination in Classical Ballet: Premiere introduces candidates to foundational ballet technique, emphasizing posture, coordination, and musicality. Candidates perform simple sequences and exercises that assess their ability to move with control, maintain alignment, and express basic musical rhythms. This examination serves as an initial step in formal ballet training, focusing on building confidence and a positive attitude towards dance.
Key Concepts & Core Principles
- Basic technique: Correct posture, alignment, and placement for simple movements like pliés, tendus, or basic steps in your chosen style.
- Musicality: Moving in time with the music, recognising rhythm and tempo, and responding to changes in the accompaniment.
- Coordination and control: Performing movements with balance and precision, such as turns, jumps, or simple sequences.
- Expression and performance: Using facial expressions and body language to convey the mood or story of the dance.
- Syllabus knowledge: Memorising and accurately reproducing the set exercises and routines specified for Entry 2.
Exam Tips & Revision Strategies
- Focus on maintaining a lifted posture from start to finish; imagine a string pulling you up from the crown of the head.
- Listen carefully to the music and count in your head to stay in time, especially during transitions.
- In the improvisation, keep it simple: choose two or three clear movements and repeat them with confidence to show musicality and control.
- Demonstrate a positive attitude and smile; the examiner values enjoyment and effort as much as technical accuracy at this level.
Common Misconceptions & Mistakes to Avoid
- Confusing turnout with forcing the feet open, leading to incorrect hip alignment and potential knee strain.
- Stiff or 'stuck' arms; failing to coordinate breathing with arm movements, causing a robotic appearance.
- Losing balance during relevé by looking down or tensing the feet, rather than using a stable core and spotting.
- Rushing ahead of the music during sequences due to anticipation, instead of listening and waiting for the beat.
- Lack of expression: a blank face or no eye contact, which reduces overall performance quality and misses the creative element.
Examiner Marking Points
- Award credit for demonstrating correct posture with a straight back, engaged core, and relaxed shoulders throughout the plié exercise.
- Recognize candidates who can maintain balance while executing a tendu devant without wobbling or placing the foot incorrectly.
- Assess the candidate's ability to coordinate arm and leg movements in a simple port de bras sequence, ensuring fluidity.
- Credit for showing awareness of musical phrasing by starting and finishing movements precisely on the beat.
- Look for evidence of expression, such as a pleasant facial expression and an attempt to interpret the mood of the music through gentle movement quality.
- Award marks for effort and engagement in the improvisational section, such as exploring different levels or shapes, even if movements are basic.