Paper 2: Texts in shared contexts - Option A: WW1 and its aftermath - Section A: Core set texts — AQA A-Level English Literature
Teaching note checked against the official specification.
This AQA A-Level English Literature unit explores literature written in response to the First World War and its aftermath, focusing on core set texts such as Birdsong, Journey's End, and the poetry of Owen and Sassoon. Students analyse how writers present themes of trauma, memory, duty, and loss, and how contextual factors shape meaning.
Test yourself on Paper 2: Texts in shared contexts - Option A: WW1 and its aftermath - Section A: Core set texts with AQA A-Level practice questions.
A week of Premium from your first lesson · Then the free plan continues · No card, no charge
Paper 2: Texts in shared contexts - Option A: WW1 and its aftermath - Section A: Core set texts explained
This row is course guidance, not an assessed answer target.
Read the full explanation
It tells you that Section A of Option A requires study of at least one core set text, and that the specification lists six from which your centre chooses. The minimum is one, so your centre may teach more, but you must know whichever text or texts your centre has selected thoroughly, because Section A questions are anchored to the core text(s) you have studied. Confirm with your teacher exactly which core text(s) are on your route, obtain the edition in use, and read it closely more than once. Keep notes on the WW1 lenses from the option guidance and on how the text handles them, so class discussion and any comparative work rest on secure textual knowledge.
Your focus
- Identify the core set text or texts selected for your route.
- Demonstrate secure knowledge of the whole chosen core text.
- Connect the core text to the thematic lenses of Option A.
Which command word is this?
You must investigate and analyse in detail, considering different interpretations and methods. Use evidence to support your points and link to context where relevant.
Paper 2: Texts in shared contexts - Option A: WW1 and its aftermath - Section A: Core set texts exam tips
Topic Overview
This unit explores literature written in response to the First World War and its aftermath, focusing on core set texts such as Sebastian Faulks's Birdsong, R.C. Sherriff's Journey's End, and the poetry of Wilfred Owen and Siegfried Sassoon. Students examine how writers represent the experiences of soldiers and civilians, and how themes of trauma, memory, duty, and loss are shaped by the historical and social context of the period.
Studying these texts is crucial for understanding the cultural and psychological impact of WW1, and for developing skills in close analysis, comparison, and contextual interpretation. It fits into the wider A-Level by building on skills from Paper 1, such as analysing unseen prose and poetry, and preparing students for the synoptic element of the course.
Key Concepts
- →The impact of context: how the war changed attitudes to patriotism, heroism, and masculinity, leading to disillusionment and modernism.
- →Writer's methods: use of form, structure, and language to convey trauma, memory, and the futility of war.
- →Shared contexts: the connections between texts in terms of themes, historical background, and literary movements.
- →Characterisation: how writers create characters who embody different responses to war, from naive enthusiasm to cynical despair.
- →The role of memory and testimony: how texts explore the lasting psychological effects of war on individuals and society.
Examiner Tips
- 💡Ask your teacher to confirm the exact core text or texts for your class and write the title and edition at the front of your notes.
- 💡Annotate your copy with the option's thematic lenses so quotations are easy to retrieve under time pressure.
- 💡Re-read the whole core text before the exam and refresh a short list of key moments rather than relying on first impressions.
- 💡Always address the assessment objectives: AO1 (response and analysis), AO2 (methods), AO3 (context), and AO4 (connections). Use precise terminology and embed context.
- 💡Plan your essay to ensure you cover the whole text and make meaningful comparisons. Avoid a text-by-text approach; instead, organise by theme or method.
- 💡Use short, embedded quotations and analyse them in depth rather than long quotes with superficial comment. Focus on the effect of specific word choices and structural features.
Common Mistakes
- Assumes all six core texts will be examined on the same paper; check with your centre which text or texts your route actually covers.
- Reads only summaries or extracts instead of the whole core text; study the full text in the edition your centre uses.
- Treats the minimum of one text as a reason to skim; depth of knowledge of the chosen text is what Section A rewards.
- Students often think that all WW1 literature is anti-war. In fact, some texts, like Rupert Brooke's 'The Soldier', present a patriotic and idealistic view, and even Owen's poetry can be seen as a complex mix of pity and protest.
- Students may assume that shell shock was widely understood and treated. In reality, it was often stigmatised, and many soldiers were accused of cowardice or executed for desertion, as shown in Regeneration.
- Students sometimes treat context as a separate section to be bolted on. Instead, context should be integrated into analysis of the writer's methods and intentions.
Revision Plan
- 1Week 1: Read all core texts (Birdsong, Journey's End, selected poems by Owen and Sassoon) and create a timeline of key contextual events. Make chapter/scene/poem summaries.
- 2Week 1-2: For each text, create a revision grid of themes (e.g., trauma, duty, memory) with key quotations and analysis of methods. Use colour-coding for context links.
- 3Week 2: Practice comparative essays, focusing on how different texts treat similar themes. Use past paper questions and mark schemes to self-assess.
- 4Week 2: Revise key contextual terms (jingoism, modernism, shell shock) and practice integrating them into analysis. Create flashcards for quick recall.
- 5Ongoing: Re-read key passages and annotate for language, form, and structure. Discuss interpretations with peers to develop alternative readings.
Exam Question Types
- 📋Comparative essay question: 'Compare how two texts present the theme of memory.' Advice: Plan for integrated comparison, not separate summaries. Use connectives like 'similarly', 'whereas', and 'both'.
- 📋Close analysis question: 'Analyse how the writer uses language and structure to present the effects of war in this extract.' Advice: Focus on the extract, but link to the wider text and context. Use precise terminology.
- 📋Contextual question: 'Explore how contextual factors shape the presentation of duty in two texts.' Advice: Integrate context into your analysis of methods, not as a separate paragraph.
- 📋Unseen poetry comparison: 'Compare how two unseen poems present attitudes to war.' Advice: Use your skills of close analysis and comparison, and consider the context of publication if given.
Command Word Expectations (AQA)
You must investigate and analyse in detail, considering different interpretations and methods. Use evidence to support your points and link to context where relevant.
You must identify similarities and differences between texts, and analyse how and why these exist. Use comparative language and structure your essay around points of comparison, not text-by-text.
You must break down the text into its constituent parts (language, form, structure) and explain how they create meaning and effect. Use precise terminology and avoid retelling the story.
How Students Lose Marks (Examiner Pitfalls)
Step-by-Step Worked Solutions
Question: Explore how Sherriff presents the theme of duty in Journey's End. (25 marks)
- 1.Step 1: Identify key moments where duty is presented: Stanhope's sense of responsibility, Osborne's calm acceptance, Raleigh's naive enthusiasm, Hibbert's desire to leave.
- 2.Step 2: Analyse Sherriff's methods: use of stage directions (e.g., Stanhope's drinking), dialogue (e.g., Osborne's 'It's the only way'), and structure (the impending attack creates tension).
- 3.Step 3: Link to context: the British class system, the officer's code of honour, and the reality of trench warfare.
- 4.Step 4: Compare with another text if required (e.g., Barker's Regeneration and Sassoon's duty to protest).
- 5.Step 5: Conclude on how Sherriff presents duty as both a noble ideal and a destructive force.
Question: Analyse how Owen uses language and structure to convey the pity of war in 'Futility'. (25 marks)
- 1.Step 1: Identify key linguistic features: gentle imperatives ('Move him into the sun'), natural imagery ('sun', 'snow'), and the shift from hope to despair.
- 2.Step 2: Analyse structure: the sonnet form is disrupted, with a volta at line 7, reflecting the disruption of life and the failure of traditional forms to contain the horror.
- 3.Step 3: Link to context: Owen's own experience of shell shock and his aim to warn against the 'old Lie'.
- 4.Step 4: Explain effect: the poem moves from a plea to a rhetorical question, emphasising futility and the indifference of nature.