How to Revise An Inspector Calls — OCR GCSE English Literature
An Inspector Calls is a topic in the OCR GCSE English Literature specification. This guide covers learning objectives, examiner tips, common mistakes, and key terminology to help you revise effectively.
Examiner Tips for An Inspector Calls
- Always plan your essay to ensure every paragraph links back to the question and Priestley's overall purpose.
- Embed short, precise quotations and analyse the language rather than just identifying it.
- Use context as a lens: explain how the audience of 1945 would respond differently to the Edwardian characters.
- Consider alternative interpretations, such as whether the Inspector is a figment of the family's conscience, to demonstrate higher-order thinking.
- Practice comparing responses: for example, contrast Sheila's remorse with Mrs Birling's denial to show the generational divide.
Common Mistakes in An Inspector Calls
- Students often retell the plot without analysis, failing to address the question's specific theme or character focus.
- Ignoring the play's context (e.g., the Edwardian era, the post-war audience) or using it superficially without linking to the text.
- Misinterpreting Inspector Goole as a realistic police officer rather than a symbolic or supernatural figure.
- Overlooking the significance of the final telephone call, missing its cyclical and warning elements.
- Treating characters in isolation without comparing their responses to Eva Smith's death.
Key Marking Points
- Award credit for demonstrating a clear understanding of the play's social and historical context, especially the contrast between 1912 and 1945.
- Reward analysis that integrates well-chosen quotations and explains their dramatic effect on the audience.
- Look for consistent focus on the question, with each paragraph contributing to a cohesive argument.
- Credit critical evaluation of characters, such as acknowledging inconsistencies in the Inspector's behaviour or the symbolism of his final speech.
- Acknowledge consideration of Priestley's techniques, including stage directions, irony, and the unities of time and place.