Pearson Edexcel · A-Level · English Literature

    Course version: 9ET0 · Version from Sept 2015

    Poetry – Section B: Specified Poetry Pre- or Post-1900 – Post-1900 – The…

    Full specification wording

    Component 3: Poetry – Section B: Specified Poetry Pre- or Post-1900 – Post-1900 – The Modernist Period – The Great Modern Poets, editor Michael Schmidt (Quercus, 2014): The Runaway Robert Frost

    Robert Frost's 'The Runaway' records observers meeting a young Morgan colt frightened by the year's first snow.

    Checked against the Pearson Edexcel 9ET0 specification (opens in a new tab) on .

    • Point 1 of 21
    • 4 key terms

    Study notes

    From the checked teaching notes for this specification point.

    The idea

    Robert Frost's 'The Runaway' records observers meeting a young Morgan colt frightened by the year's first snow. The colt bolts with 'miniature thunder', returns with whitened eyes and raised tail, and shudders as if trying to cast the snow off like flies. Human dialogue interprets its fear, wonders where its mother is and ends by blaming whoever left it outside. The poem's single 21-line stanza, variable line lengths, loose rhymes and movement between narration and quoted speech follow the animal's flight and return without smoothing the episode into a regular pastoral scene.

    What earns the marks

    • Analyse visual and sound details such as the curled forefoot, 'miniature thunder', falling flakes, clattering stone and whitened eyes in constructing the colt's fear.
    • Evaluate how the single 21-line stanza, variable line lengths and loose rhymes accommodate the colt's bolt, disappearance and return.
    • Explore how quoted conversation moves from interpretation of the colt's behaviour to concern about its absent mother.
    • Discuss how the final judgement on whoever left the colt outside turns a brief encounter into a question of care and responsibility.

    Common mistakes and how to put them right

    • Reading the poem as a decorative winter scene.

      Put it right: Follow the colt's physical signs of fear and the speakers' increasing concern.

    • Calling the colt literally personified.

      Put it right: It remains an animal whose behaviour the human observers interpret, compare and partly anthropomorphise.

    • Forcing the poem into a fixed allegory of modern life.

      Put it right: Begin with its exact narrative, imagery and dialogue, then present broader readings as interpretations.

    Exam tips

    • Track the narrative sequence from first sight, through the bolt, to the colt's return and the final criticism of its owner.
    • Compare the speakers' guesses with the poem's directly observed details to distinguish interpretation from description.
    • Use the relation between variable form and changing action, rather than claiming irregularity automatically proves panic.

    Try the lesson

    The start of the Component 3: Poetry – Section B: Specified Poetry Pre- or Post-1900 – Post-1900 – The Modernist Period – The Great Modern Poets, editor Michael Schmidt (Quercus, 2014): The Runaway Robert Frost lesson, made from checked teaching notes for this specification point.

    Have a go first

    How does Frost use the speaker's final statement, "I doubt if even his mother could tell him, / 'Sakes, it's only weather'", to develop the poem's meaning?

    Listen

    Robert Frost's 'The Runaway' records observers meeting a young Morgan colt frightened by the year's first snow. The colt bolts with 'miniature thunder', returns with whitened eyes and raised tail, and shudders as if trying to cast the snow off like flies. Human dialogue interprets its fear, wonders where its mother is and ends by blaming whoever left it outside. The poem's single 21-line stanza, variable line lengths, loose rhymes and movement between narration and quoted speech follow the animal's flight and return without smoothing the episode into a regular pastoral scene. A strong answer earns marks for these points. Analyse visual and sound details such as the curled forefoot, 'miniature thunder', falling flakes, clattering stone and whitened eyes in constructing the colt's fear. Evaluate how the single 21-line stanza, variable line lengths and loose rhymes accommodate the colt's bolt, disappearance and return. Explore how quoted conversation moves from interpretation of the colt's behaviour to concern about its absent mother. Discuss how the final judgement on whoever left the colt outside turns a brief encounter into a question of care and responsibility. A common slip: Reading the poem as a decorative winter scene. Instead, follow the colt's physical signs of fear and the speakers' increasing concern. Exam tip: Track the narrative sequence from first sight, through the bolt, to the colt's return and the final criticism of its owner.

    See it

    A top-to-bottom flowchart of eight boxes linked by arrows. The first box reads 'Observers meet a young Morgan colt' and points to 'Colt frightened by the year's first snow'. That points to 'Colt bolts with miniature thunder', which points to 'Colt returns with whitened eyes and raised tail'. This points to 'Colt shudders as if trying to cast the snow off like flies', which points to 'Human dialogue interprets its fear'. That points to 'Observers wonder where its mother is', and the final box reads 'Ending blames whoever left it outside'.
    The narrative sequence of 'The Runaway', from the observers meeting the colt through its bolt and return to the final judgement on whoever left it outside.

    Put it in order

    Put these steps in the order they happen.

    1. 1. Colt shudders as if trying to cast the snow off like flies
    2. 2. Ending blames whoever left it outside
    3. 3. Human dialogue interprets its fear
    4. 4. Observers meet a young Morgan colt
    5. 5. Colt frightened by the year's first snow
    6. 6. Observers wonder where its mother is
    7. 7. Colt bolts with 'miniature thunder'
    8. 8. Colt returns with whitened eyes and raised tail

    Key words

    Say what each word means before you turn the card.

    Fear and vulnerability

    Try answering aloud or in your head before turning the card.

    Human observation and empathy

    Try answering aloud or in your head before turning the card.

    Care and responsibility

    Try answering aloud or in your head before turning the card.

    Animals and weather

    Try answering aloud or in your head before turning the card.

    See every definition
    Fear and vulnerability
    The colt's fright is shown through physical signs, and the observers' concern grows for a vulnerable creature left outside.
    Human observation and empathy
    Precise visual and sound images turn the observers' watching of the colt into sympathy, while their guesses remain interpretation rather than description.
    Care and responsibility
    The final judgement on whoever left the colt outside turns a brief encounter into a question of care and responsibility.
    Animals and weather
    The year's first snow frightens the young Morgan colt, which shudders as if trying to cast the snow off like flies.

    Label the diagram

    Some boxes have lost their names. Pick the right name for each number.

    The diagram again, with 3 boxes numbered instead of named. A top-to-bottom flowchart of eight boxes linked by arrows. The first box reads 'Observers meet a young Morgan colt' and points to 'Colt frightened by the year's first snow'. That points to 'Colt bolts with miniature thunder', which points to 'Colt returns with whitened eyes and raised tail'. This points to 'Colt shudders as if trying to cast the snow off like flies', which points to 'Human dialogue interprets its fear'. That points to 'Observers wonder where its mother is', and the final box reads 'Ending blames whoever left it outside'.
    • 1Box 1

    • 2Box 2

    • 3Box 3

    0 of 3 labelled

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