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    2c. Content of Verse Literature (H443/04) - Group 4 - For examination in 2030, 2031 and 2032 (sixth set text cycle) — OCR A-Level Latin

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    2c. Content of Verse Literature (H443/04) - Group 4 - For examination in 2030, 2031 and 2032 (sixth set text cycle) explained

    2c. Content of Verse Literature (H443/04) - Group 4 - For examination in 2030, 2031 and 2032 (sixth set text cycle) covers 6 specification points, including Virgil, Aeneid Book 12, lines 113–160,… and English: Virgil, Aeneid Book 12.

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    Open a point below for its explanation and revision guidance.

    Virgil, Aeneid Book 12, lines 113–160, 216–286, 311–390, 564 (...celso medius stans aggere fatur)–611

    This row sets the Group 4 Virgil passage for the sixth cycle, examined in 2030, 2031 and 2032: Aeneid 12, lines 113–160, 216–286, 311–390, and 564–611, where the fourth block begins mid-line at the words given in the specification. Prepare exactly these blocks, not the whole book, and note that the gaps between them are not set. The anchor phrase marks the start of the final block, so learn the line as it stands in your edition and be ready to translate from that point. Read the blocks in sequence to follow the diplomacy, the breaking of the truce and the renewed fighting, and annotate the Latin for speaker, simile, epithet and word order. Confirm the edition and any prescribed text notes in the current OCR specification before you start.

    English: Virgil, Aeneid Book 12

    This row tells you which set text your Verse Literature group studies for the sixth cycle: Virgil's Aeneid, Book 12, read in English. It is a course and text-selection statement, not a task you perform in the examination. Your job is to read the whole of Book 12 in a reliable English translation and to know it closely enough to analyse character, theme, structure and style. Work through the book in sections, keeping a running log of who does what to whom and why, since Book 12 turns on the duel between Aeneas and Turnus and the interventions of Juno, Juturna and the gods. Note the epic's Roman values and the poem's ending. Check your centre's teaching for the exact edition and any passages studied in Latin, and confirm the cycle dates with your teacher before planning revision.

    Horace Odes 1.4, 3.9, 3.19, 3.21, 3.29, 4.1, 4.5, 4.7

    This row names the Horace poems set for the sixth cycle: Odes 1.4, 3.9, 3.19, 3.21, 3.29, 4.1, 4.5 and 4.7. It is a course and text-selection statement, not an examination task. Read each ode in Latin with a good commentary and translation, and learn to place it in its book and metre. Several odes share themes: the passing of seasons and life (1.4, 4.7), love and its changes (3.9, 4.1), wine and celebration (3.19, 3.21), and Rome and Augustus (3.29, 4.5). Build a grid of speaker, addressee, occasion, metre and key images for each poem, and note where Horace addresses a named figure. Confirm with your teacher the prescribed edition and any passages your centre emphasises, and check the cycle dates before revising.

    English: Horace Odes 1.9, 1.24, 1.25, 2.14, 2.16, 2.17, 3.25, 4.11, 4.15

    This row is course guidance, not an assessed answer target. It names the Group 4 verse prescription for H443/04 in the sixth set text cycle, examined in 2030, 2031 and 2032: nine Horace Odes read in English translation, namely 1.9, 1.24, 1.25, 2.14, 2.16, 2.17, 3.25, 4.11 and 4.15. Your task is to read all nine poems closely in the set English version, learn each poem's argument, addressee and imagery, and prepare to write analytical responses that draw on precise detail. Build a poem-by-poem file: a short summary of the movement of thought, the addressee and occasion, key images and tone, and two or three short supporting details you could cite. Note links between poems, for example recurring themes of time, death, wine, friendship and poetic vocation, but keep each claim anchored to a specific poem.

    Ovid, Amores 3.4, 3.6, 3.9, 3.11 (a only)

    This row names the Group 4 verse prescription for H443/04 in 2030, 2031 and 2032: four Ovid Amores poems, 3.4, 3.6, 3.9 and 3.11, with 3.11 restricted to part (a) only. Prepare the Latin text itself, because the Verse Literature paper tests translation and stylistic analysis of the original, not a translation. Build a vocabulary and morphology list for each poem, then read each aloud in Latin to hear the metre. Annotate the Latin for effects: word order, sound, allusion, tone and rhetorical address. For 3.11, confine study to part (a) and do not prepare the remainder. Check the current OCR set-text prescription for the exact lines and any accompanying guidance before teaching.

    English: Ovid, Amores 3.1, 3.2, 3.5, 3.11b, 3.15

    This row sets the prescribed English-reading text for Group 4 of the Verse Literature unit: five poems from Ovid's Amores — 3.1, 3.2, 3.5, 3.11b and 3.15 — studied in English translation for examination in 2030, 2031 and 2032. Read all five poems as a set, not a selection, because the group is examined as a whole. Track recurring Ovidian concerns across the poems: the poet's witty self-presentation, desire and its frustrations, elegiac conventions, and poetry about poetry itself. Note that 3.11b is a part-poem, so study only the specified portion. Build a working knowledge of each poem's argument and tone, and practise comparing how the same theme shifts between poems.

    Your focus

    1. Identify the four prescribed blocks of Aeneid 12 and the mid-line starting point of the final block.
    2. Translate passages from the set blocks accurately and explain their place in the book's narrative.
    3. Analyse Virgil's use of language, imagery and structure within the prescribed lines with close reference to the Latin.
    Show all 18 objectives
    1. Identify the set text and cycle for the Verse Literature paper from the specification row
    2. Summarise the action of Book 12 with each agent correctly named
    3. Analyse character, theme and style in Book 12 using close reference to the text
    4. Identify the eight prescribed Horace odes and their books from the specification row
    5. Summarise the speaker, addressee and occasion of each ode
    6. Compare recurring themes across the odes using close reference to the Latin
    7. Identify each of the nine prescribed Odes and state its addressee and occasion.
    8. Explain the movement of thought and central images in each prescribed Ode using the set English translation.
    9. Compare themes across at least two prescribed Odes with specific supporting detail.
    10. Translate passages from the prescribed Amores poems accurately from Latin.
    11. Identify and explain stylistic features using the Latin wording as evidence.
    12. Restrict preparation of Amores 3.11 to part (a) as prescribed.
    13. Identify the argument and tone of each of the five prescribed Amores poems.
    14. Explain how Ovid uses elegiac conventions across the set.
    15. Compare a shared theme between two poems in the group using textual evidence.

    2c. Content of Verse Literature (H443/04) - Group 4 - For examination in 2030, 2031 and 2032 (sixth set text cycle) exam tips

    Examiner Tips
    • 💡Mark the four blocks clearly in your text with the exact start and end lines, including the mid-line opening of 564, so you never revise the wrong section.
    • 💡For each block, note who speaks, to whom, and what changes in the plot, then list two or three Latin phrases you could analyse in detail.
    • 💡Check the OCR specification and prescribed text notes for the edition and any guidance on the set passage before relying on a particular line numbering.
    • 💡Build a section-by-section summary of Book 12 with the agent of each action named, so you can locate events quickly.
    • 💡Track the gods' interventions separately from the human duel, noting who acts and with what motive.
    • 💡Re-read the closing lines closely and prepare to comment on their tone and significance.
    • 💡Confirm with your teacher which edition and any Latin passages your centre uses, and revise to that.
    • 💡Make a one-page grid per ode listing speaker, addressee, occasion, metre and central images.
    • 💡Link odes that share themes, such as 1.4 and 4.7 on the seasons and mortality, and prepare comparisons.
    • 💡Learn a few short Latin phrases from each ode to support close stylistic comment.
    • 💡Check with your teacher which edition and any Latin passages your centre uses, and revise to that.
    • 💡Make a one-page grid with a row per Ode and columns for addressee, occasion, central argument, key images and tone, then revise from it.
    • 💡For each poem, memorise two or three short details from the set translation that you could use as evidence in an essay.
    • 💡Practise linking poems by theme, such as mortality or the passing of seasons, while naming the specific Ode each point comes from.
    • 💡Build a per-poem annotation sheet in Latin, listing key words with their case, tense or mood and the effect each creates.
    • 💡Practise translating short passages aloud, then justify each stylistic comment by pointing to the exact Latin word or phrase.
    • 💡Check the official OCR prescription for the precise lines of each poem, especially the extent of 3.11 part (a), before finalising revision notes.
    • 💡Make a one-page summary of each poem's argument, speaker and tone, then note links between them.
    • 💡Keep a theme grid (desire, elegy, poetic fame, self-mockery) and fill in evidence from each poem.
    • 💡Re-read the English translation closely for shifts in address and rhetorical questions, which carry much of Ovid's wit.
    • 💡Check the specification cycle dates before relying on any notes or resources.
    Common Mistakes
    • Treats the whole of Aeneid 12 as set text; restrict close preparation to the four listed blocks and use the rest only as context.
    • Starts the final block at the beginning of a line rather than at the mid-line anchor phrase given in the specification; locate the exact starting words in your edition.
    • Skips the unset lines between blocks without understanding how the narrative moves from one block to the next; read them in translation for continuity.
    • Studies the passage only in translation; work from the Latin so you can discuss Virgil's diction, sound and syntax with evidence.
    • Assumes the row lists passages to translate into Latin; read it as the set text for study in English and confirm the edition with your teacher.
    • Treats the cycle dates as optional; plan revision for the 2030, 2031 and 2032 examinations only.
    • Reads only famous extracts such as the final duel; cover the whole of Book 12 so that any passage can be discussed.
    • Confuses Book 12 with earlier books of the Aeneid; keep your notes tied to the events and characters of Book 12.
    • Treats the list as a set of passages to translate unseen; read it as the prescribed odes for study and confirm the edition with your teacher.
    • Studies only one or two famous odes; cover all eight listed poems so any of them can be discussed.
    • Ignores metre and book context; record the metre and book of each ode alongside its themes.
    • Assumes the odes share a single theme; group them by recurring concerns such as time, love, wine and Rome.
    • Treats the list of nine Odes as a set of exam questions to be answered one by one; instead read the list as the prescribed reading and prepare analytical responses that can range across the poems.
    • Assumes the poems are read in Latin when the prescription specifies English; instead work from the set English translation your centre confirms and quote its wording accurately.
    • Ignores the examination-year boundary and studies poems from a different cycle; instead confirm with your teacher that 2030, 2031 and 2032 are your cohort's years and use only this Group 4 prescription.
    • Treats an English translation as the object of study; prepare and analyse the prescribed Latin wording instead, using a translation only as a private comprehension aid.
    • Prepares all of Amores 3.11; restrict study to part (a) as the prescription states and leave the rest unprepared.
    • Reads the four poems as one continuous narrative; treat each poem as a separate set text with its own argument, addressee and stylistic features.
    • Ignores the 2030–2032 cycle boundary; confirm the prescription applies to the examination year being prepared.
    • Treats the five poems as optional choices and revises only two or three; cover every listed poem because the group is examined as a set.
    • Reads 3.11b as the complete poem 3.11; restrict study to the specified part 3.11b.
    • Studies the Amores in Latin when this row prescribes English reading; work from the English text for this group.
    • Ignores the examination years and uses a different cycle's set text; confirm the 2030–2032 cycle before revising.