Analysing Structure

    Analysing structure is a core skill in OCR GCSE English Language, assessed under AO2 and worth 20% of your marks. This guide teaches you to move beyond feature-spotting to analyse how writers deliberately organise texts to shape meaning, control pace, and influence readers—skills that will elevate your responses from mid-level to top-band.

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    Examples
    5
    Questions
    10
    Key Terms
    🎙 Podcast Episode
    Analysing Structure
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    Study Notes

    Overview

    Header image for OCR GCSE English Language: Analysing Structure

    In your OCR GCSE English Language exam, analysing structure is a critical skill assessed under Assessment Objective 2 (AO2). It requires you to move beyond simply identifying features and instead analyse how a writer has deliberately organised a text to shape meaning and influence you, the reader. This guide will equip you with the skills to deconstruct a text's architecture, from the whole-text level down to individual sentences, and explain its effects with the precision of a top-band candidate.

    Reading Skills

    Identifying Information & Ideas

    This is the foundation of all reading skills. Before you can analyse, you must understand. In the exam, you will be presented with unseen 19th, 20th, and 21st-century texts. Your first job is to extract both explicit information (what is directly stated) and implicit information (what is suggested or implied). For instance, a writer might explicitly state "the room was cold," but implicitly suggest a character's emotional state of isolation or fear through that description.

    Analysing Language

    While our focus is structure, it's impossible to separate it entirely from language. The two work together. Examiners expect you to understand how word choices create effects. Credit is given for analysing how specific language features contribute to the overall tone and meaning.

    Key Language Features to Identify

    FeatureDefinitionEffect on ReaderExample
    MetaphorA figure of speech where a word or phrase is applied to an object or action to which it is not literally applicable.Creates a powerful image, making an abstract concept more concrete or drawing a striking comparison."The classroom was a zoo."
    SimileA comparison of one thing with another thing of a different kind, using 'like' or 'as'.Makes a description more vivid and relatable by linking it to a familiar image."He was as brave as a lion."
    Pathetic FallacyThe attribution of human feelings and responses to inanimate things or animals, especially the weather.Creates atmosphere and can reflect a character's internal emotional state."The miserable rain echoed his despair."
    PersonificationGiving human qualities or abilities to something that is not human.Brings an object or concept to life, making it more engaging or threatening."The wind whispered through the trees."
    AlliterationThe occurrence of the same letter or sound at the beginning of adjacent or closely connected words.Can create a specific mood (e.g., soft sounds for calm, hard sounds for aggression) and makes phrases more memorable."The sweet smell of success."
    SibilanceA specific type of alliteration using soft consonant sounds like 's', creating a hissing effect.Often used to create a sense of slyness, secrecy, or menace."The snake slithered silently."
    JuxtapositionPlacing two contrasting ideas, characters, or descriptions close together.Highlights the differences between them, often to create a dramatic or ironic effect."The calm of the library was shattered by a sudden scream."

    Analysing Structure

    This is the core of AO2. Structure is the writer's blueprint. It's about the order and arrangement of the text as a whole. Examiners want to see you analyse the sequence of events, the shifts in focus, and the patterns that build meaning.

    Key structural features to identify and analyse

    Key Structural Features to Analyse:

    • Openings and Endings: How does the writer begin? In the middle of the action (in medias res)? With a description? How does the ending relate to the opening? A cyclical structure, where the end echoes the beginning, can create a sense of inevitability or closure.
    • Shifts in Focus: Where does the writer direct your attention? Notice shifts between characters, from wide views to close-ups, from internal thoughts to external action, or from past to present. These shifts are always deliberate.
    • Narrative Perspective: Who is telling the story? A first-person narrator provides a personal, subjective view. A third-person narrator can be omniscient (all-knowing) or limited, affecting how much information the reader receives.
    • Sentence Length Variation: This is a powerful tool for controlling pace. Long, complex sentences can slow down the reader, building tension or reflecting a complex thought process. A short, simple sentence can create a sudden impact, shock, or moment of clarity.
    • Paragraph Structure: Look at the length and focus of paragraphs. A single-sentence paragraph isolates a key idea for emphasis. A series of long, dense paragraphs might create a feeling of being overwhelmed.
    • Flashback and Foreshadowing: These devices manipulate time. A flashback provides crucial backstory, while foreshadowing hints at future events, building suspense and anticipation.
    • Contrast and Juxtaposition: When a writer places opposing ideas or images side by side, the contrast heightens the effect of each. This can be used to create irony, emphasise change, or highlight conflict.

    The What-How-Why analysis framework for structure

    **The What-How-Why Method:**When analysing structure, always follow this framework:

    1. What is the structural feature? (e.g., shift from past to present tense)
    2. How does it work in this context? (e.g., the sudden shift jolts the reader into the immediacy of the moment)
    3. Why did the writer use it? (e.g., to emphasise the urgency and danger the character now faces)

    Evaluating Critically

    For higher marks, you need to evaluate how successfully the writer has used language and structure. This involves forming a judgement and supporting it with evidence. Use phrases like "The writer effectively creates a sense of panic by..." or "To some extent, the ending feels unresolved because...". A good structure for this is:

    1. Statement: Make a clear point about the writer's methods.
    2. Evidence: Select a short, embedded quotation.
    3. Analysis: Explain the effect of the chosen feature.
    4. Link: Connect your analysis back to the writer's overall purpose or the question's focus.

    Comparing Writers' Viewpoints

    In Paper 2, you will be asked to compare how two writers present a similar topic. The key is to compare their methods (language and structure) and the resulting viewpoints and perspectives. Avoid simply discussing what each text says. Instead, focus on how they say it differently. Use comparative discourse markers like "whereas," "in contrast," "similarly," and "on the other hand."

    Writing Skills

    Creative Writing

    Your writing needs to be as crafted as the texts you analyse. Whether writing a narrative or a description, focus on:

    • Show, Don't Tell: Instead of telling the reader "he was angry," show it: "He clenched his fists, his jaw tight, and a muscle pulsed in his cheek."
    • Sensory Description: Engage all five senses—sight, sound, smell, touch, and taste—to create a vivid and immersive world for the reader.
    • Varied Sentence Structures: Use a mix of simple, compound, and complex sentences to create rhythm and pace. Start sentences in different ways (e.g., with an adverb, a subordinate clause, or a prepositional phrase).
    • Engaging Openings: Hook your reader immediately. Start with dialogue, action, a striking image, or a question.
    • Satisfying Endings: Avoid clichés like "it was all a dream." Instead, aim for an ending that resolves the narrative or leaves the reader with a powerful final image.
    • The One-Scene Rule: For timed exam writing, focus on developing one scene in depth rather than rushing through multiple events.

    Transactional/Non-Fiction Writing

    For tasks like writing a letter, article, speech, or leaflet, you must consider Purpose, Audience, and Form (PAF). Your tone, vocabulary, and structure must be appropriate for the task. Use persuasive techniques to engage your reader.

    AFOREST Persuasive Techniques:

    • Alliteration: Memorable phrases that stick in the reader's mind.
    • Facts: Concrete information that supports your argument.
    • Opinions: Your viewpoint, clearly stated.
    • Rhetorical questions: Questions that make the reader think and engage.
    • Emotive language: Words that appeal to the reader's emotions.
    • Statistics: Numerical data that adds weight to your argument.
    • Three (Rule of): Listing things in threes for emphasis and rhythm.

    Educational podcast: Analysing Structure in OCR GCSE English Language

    Technical Accuracy (SPaG)

    Spelling, Punctuation, and Grammar (SPaG) are crucial. They account for a significant portion of the marks in the writing sections. Aim for flawless spelling and use a range of punctuation for effect. Ambitious punctuation like semicolons, colons, and dashes, when used correctly, will be rewarded by examiners.

    Ambitious Punctuation:

    • Semicolons (;): Link two closely related independent clauses without a conjunction.
    • Colons (:): Introduce a list, explanation, or quotation.
    • Dashes (—): Create emphasis, add an aside, or show an interruption.
    • Parenthetical commas: Set off additional information within a sentence.

    Visual Resources

    2 diagrams and illustrations

    The What-How-Why analysis framework for structure
    The What-How-Why analysis framework for structure
    Key structural features to identify and analyse
    Key structural features to identify and analyse

    Interactive Diagrams

    2 interactive diagrams to visualise key concepts

    ReadingWritingRead the Question CarefullyReading or Writing Task?Identify the Question TypeIdentify Purpose, Audience, FormAnnotate the TextSelect EvidenceAnalyse Effect Using PEALLink Back to QuestionPlan Structure: Beginning, Middle, EndWrite with Techniques and Ambitious SPaGProofread for Errors

    OCR GCSE English Language exam approach flowchart

    Whole-Text StructureOpeningsEndingsShifts in FocusCyclical PatternsNarrative PerspectiveSentence-Level StructureSentence Length VariationParagraph StructureSyntax and Pacing

    Structural features to analyse at whole-text and sentence level

    Worked Examples

    3 detailed examples with solutions and examiner commentary

    Practice Questions

    Test your understanding — click to reveal model answers

    Q1

    Read the opening of a 20th-century fiction extract. The writer describes a character walking through an empty city at dawn. Identify two things you learn about the character's feelings.

    2 marks
    foundation

    Hint: This is an AO1 question. You only need to identify explicit or implicit information. No analysis required—just state what you learn.

    Q2

    Read lines 5-15 of the extract. How does the writer use language to create a sense of danger?

    4 marks
    standard

    Hint: This is an AO2 language question. Identify specific language features (e.g., word choices, imagery) and explain their effects. Use the PEAL structure.

    Q3

    Read the whole extract. How does the writer use structure to build tension from the beginning to the end?

    8 marks
    standard

    Hint: This is an AO2 structure question. Focus on whole-text features (openings, endings, shifts) and sentence-level features (sentence length, paragraph structure). Use the What-How-Why method.

    Q4

    To what extent do you agree that the writer successfully conveys the character's sense of isolation in this extract? You should write about: your own impressions of the extract; how the writer conveys isolation through language and structure.

    8 marks
    challenging

    Hint: This is an AO4 evaluation question. You need to give your opinion and support it with analysis of both language and structure. Use phrases like 'The writer effectively...' or 'To some extent...'

    Q5

    Write an article for a school magazine in which you argue that students should have more say in how their school is run. [24 marks for content and organisation; 16 marks for technical accuracy]

    40 marks
    challenging

    Hint: This is a transactional writing task. Plan your structure, use AFOREST techniques, and write in a formal but engaging tone. Remember to proofread for SPaG.

    Key Terms

    Essential vocabulary to know

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But here's the thing: the difference between a grade 5 and a grade 8 often comes down to how precisely you respond to what the examiner is actually asking. And that's exactly what we're going to master today. By the end of this session, you'll understand the key reading and writing skills tested in OCR English Language, you'll know exactly how to deconstruct different question types, and you'll have practical strategies to maximise your marks. So let's get started! [CORE CONCEPTS - 5 minutes] Let's begin with the foundation. OCR GCSE English Language is all about demonstrating your skills in reading and writing. Unlike English Literature, you're not analysing set texts or memorising quotes. Instead, you're showing examiners that you can read unseen texts critically and write with purpose and technical accuracy. The assessment objectives are your roadmap. AO1 is about identifying and synthesising information from texts. AO2 focuses on analysing how writers use language and structure. AO3 is all about comparing writers' viewpoints and perspectives. AO4 asks you to evaluate texts critically. And then we have AO5 and AO6 for your writing: AO5 rewards ambitious content and organisation, while AO6 assesses your technical accuracy—that's your spelling, punctuation, and grammar. Now, here's where candidates often go wrong: they treat every question the same way. But each question type demands a specific approach. Let me break this down for you. For reading questions, you need to master the "What-How-Why" framework. When a question asks you to analyse how a writer uses language, you can't just spot a metaphor and move on. That's what we call feature-spotting, and it won't get you beyond a Level 2. Instead, you need to identify WHAT technique the writer uses, quote it precisely and embed it in your sentence—that's the HOW—and then explain WHY it's effective, what impact it has on the reader. This is the difference between saying "the writer uses a metaphor" and saying "by describing the fog as a 'thick grey blanket, suffocating the city,' the writer creates a sense of oppression and claustrophobia, suggesting the city is being choked." Structure questions are another area where marks are lost. When you're asked about structure, the examiner wants you to discuss things like shifts in focus, changes in narrative perspective, sentence length variation, how the opening hooks the reader, or how the ending creates closure. Don't just retell the story—analyse the writer's structural choices and their effects. For comparison questions—and these are worth 10 marks on AO3—you must integrate your discussion. Don't write about Text A for three paragraphs and then Text B for three paragraphs. That's not comparison; that's two separate analyses. Instead, make conceptual links: both writers use emotive language, but Writer A employs it to evoke sympathy while Writer B uses it to provoke outrage. See the difference? Evaluation questions ask "to what extent do you agree" or "how far do you think the writer is successful." This is your chance to show critical thinking. Don't just agree with everything. A Level 4 response will offer a balanced view: "To some extent, the writer successfully creates tension through short, fragmented sentences. However, the reliance on clichéd imagery in the final paragraph undermines the overall impact." You're showing you can critique, not just summarise. Now let's talk about writing. Whether it's creative or transactional writing, the process is the same: plan, draft, and proofread. And I cannot stress this enough—planning is not optional. Five minutes spent planning will save you from rambling, repetitive writing. Identify your purpose, audience, and form. 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[Pause] Answer: WHAT technique is used, HOW it's used—quote and embed it—and WHY it's effective, explaining the impact on the reader. Question three: How much time should you spend on a 24-mark writing question? [Pause] Answer: About 45 minutes, including 5 minutes for planning and 5 minutes for proofreading. Question four: Name two structural features you could analyse in a text. [Pause] Answer: Any two from: shifts in focus, changes in narrative perspective, sentence length variation, opening techniques, cyclical structure, use of flashback or foreshadowing, paragraph structure. Excellent! If you got those right, you're already on your way to exam success. [SUMMARY & SIGN-OFF - 1 minute] Let's recap what we've covered today. OCR GCSE English Language is all about demonstrating your reading and writing skills. For reading, use the What-How-Why framework, integrate your comparisons, and evaluate critically rather than just summarising. 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