AQA · A-Level · English Literature

    Course version: 7717 · Version from Sept 2026

    Aspects of comedy: the settings for the comedy, both places and times

    Setting in comedy is never a neutral backdrop; place and time actively generate humour, structure and meaning.

    Checked against the AQA 7717 specification (opens in a new tab) on .

    • Point 6 of 18
    • 3 key terms

    Study notes

    From the checked teaching notes for this specification point.

    The idea

    Setting in comedy is never a neutral backdrop; place and time actively generate humour, structure and meaning. A 'green world' such as the Forest of Arden or the wood outside Athens licenses disguise, misrule and temporary escape before a return to society. Conversely, social gardens like Messina's orchard enable eavesdropping and trickery. Urban interiors, drawing rooms and country houses stage the codes of manners that comedy scrutinises. Time matters too: a compressed festive period, a single day, or a seasonal festival such as Twelfth Night creates urgency and frames licence. Ask how the chosen place enables mistaken identity, eavesdropping or reconciliation, and how the period's social expectations shape what counts as comic. Compare locations within a play to show what each one permits or forbids.

    What earns the marks

    • Locates the comedy precisely in place and time, using textual references to establish setting.
    • Explains how setting enables plot devices such as disguise, eavesdropping or mistaken identity.
    • Contrasts settings within a play to show shifting freedoms, rules or social pressures.
    • Relates period and place to the values the comedy tests, such as courtship codes or class hierarchy.
    • Analyses how staging choices, real or imagined, would shape audience response to a scene.
    • Connects movement between locations to the play's movement towards resolution.

    Common mistakes and how to put them right

    • Describing setting without analysing its function.

      Put it right by linking each place to a comic effect or theme.

    • Ignoring time and treating only place as setting.

      Put it right by discussing period, season or duration of action.

    • Assuming a single setting is uniform.

      Put it right by noting shifts of location, interior and exterior, or public and private.

    Exam tips

    • Name the specific location and moment rather than generalising about the play's world.
    • Use setting as evidence for a wider argument about order, freedom or social codes.
    • Consider how a director might stage the setting to sharpen its comic potential.

    Try the lesson

    The start of the Aspects of comedy: the settings for the comedy, both places and times lesson, made from checked teaching notes for this specification point.

    Have a go first

    When analysing aspects of comedy, how do the chosen settings (both places and times) typically function within the narrative?

    Listen

    Setting in comedy is never a neutral backdrop; place and time actively generate humour, structure and meaning. A 'green world' such as the Forest of Arden or the wood outside Athens licenses disguise, misrule and temporary escape before a return to society. Conversely, social gardens like Messina's orchard enable eavesdropping and trickery. Urban interiors, drawing rooms and country houses stage the codes of manners that comedy scrutinises. Time matters too: a compressed festive period, a single day, or a seasonal festival such as Twelfth Night creates urgency and frames licence. Ask how the chosen place enables mistaken identity, eavesdropping or reconciliation, and how the period's social expectations shape what counts as comic. Compare locations within a play to show what each one permits or forbids. A strong answer earns marks for these points. Locates the comedy precisely in place and time, using textual references to establish setting. Explains how setting enables plot devices such as disguise, eavesdropping or mistaken identity. Contrasts settings within a play to show shifting freedoms, rules or social pressures. Relates period and place to the values the comedy tests, such as courtship codes or class hierarchy. A common slip: Describing setting without analysing its function. Instead, linking each place to a comic effect or theme. Exam tip: Name the specific location and moment rather than generalising about the play's world.

    See it

    A top-down flowchart. The top node 'Setting in comedy' splits into two branches, 'Place' and 'Time'. The 'Place' branch has three sub-nodes: 'Green world' such as the Forest of Arden or the wood outside Athens, which leads to 'Licenses disguise, misrule and temporary escape before a return to society'; 'Social gardens such as Messina's orchard', which leads to 'Enables eavesdropping and trickery'; and 'Urban interiors, drawing rooms and country houses', which leads to 'Stages the codes of manners that comedy scrutinises'. The 'Time' branch leads to 'Compressed festive period, a single day, or a seasonal festival such as Twelfth Night', which leads to 'Creates urgency and frames licence'.
    It classifies the settings of comedy into place and time, showing what each type of place or period enables.

    Key words

    Say what each word means before you turn the card.

    Time, festival and licence

    Try answering aloud or in your head before turning the card.

    Disguise and misrule

    Try answering aloud or in your head before turning the card.

    Courtship and social codes

    Try answering aloud or in your head before turning the card.

    See every definition
    Time, festival and licence
    A compressed festive period, a single day or a seasonal festival that creates urgency and frames licence.
    Disguise and misrule
    Comic devices licensed by a 'green world' such as the Forest of Arden or the wood outside Athens, allowing temporary escape before a return to society.
    Courtship and social codes
    The codes of manners staged in urban interiors, drawing rooms and country houses, which comedy scrutinises and which shape what counts as comic.

    Label the diagram

    Some boxes have lost their names. Pick the right name for each number.

    The diagram again, with 3 boxes numbered instead of named. A top-down flowchart. The top node 'Setting in comedy' splits into two branches, 'Place' and 'Time'. The 'Place' branch has three sub-nodes: 'Green world' such as the Forest of Arden or the wood outside Athens, which leads to 'Licenses disguise, misrule and temporary escape before a return to society'; 'Social gardens such as Messina's orchard', which leads to 'Enables eavesdropping and trickery'; and 'Urban interiors, drawing rooms and country houses', which leads to 'Stages the codes of manners that comedy scrutinises'. The 'Time' branch leads to 'Compressed festive period, a single day, or a seasonal festival such as Twelfth Night', which leads to 'Creates urgency and frames licence'.
    • 1Box 1

    • 2Box 2

    • 3Box 3

    0 of 3 labelled

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