AQA · A-Level · English Literature

    Course version: 7717 · Version from Sept 2026

    The focus in this component must be on ‘Elements’ and students need to…

    Full specification wording

    Elements of crime writing: The focus in this component must be on ‘Elements’ and students need to consider the elements that exist in each of their texts.

    This component asks you to study crime writing through its constituent elements rather than through plot summary or author biography.

    Checked against the AQA 7717 specification (opens in a new tab) on .

    • Point 4 of 21
    • 4 key terms

    Study notes

    From the checked teaching notes for this specification point.

    The idea

    This component asks you to study crime writing through its constituent elements rather than through plot summary or author biography. Elements include: the crime and its detection; the criminal, victim and detective; clues, red herrings and suspense; setting and atmosphere; narrative voice and structure; motifs such as locked rooms, doubles or confessions; and thematic concerns such as justice, guilt and punishment. When studying a set text, identify which elements are present, how they combine, and how they shape meaning. For example, a text may use a first-person confessional narrator to make the reader complicit, or a fragmented timeline to withhold information. The assessment rewards analysis of how these elements work, not merely noting that they appear.

    What earns the marks

    • Identify specific crime-writing elements in each set text, such as the detective figure, the clue, the red herring, the confession or the locked-room motif.
    • Explain how elements interact to create effects such as suspense, surprise, moral uncertainty or social critique.
    • Analyse how narrative form, including voice, tense, focalisation and structure, functions as an element of crime writing.
    • Compare the presence and function of elements across set texts, showing how conventions are used, adapted or subverted.
    • Support analysis with precise textual evidence and relevant critical terminology rather than retelling the plot.

    Common mistakes and how to put them right

    • Retelling the plot instead of analysing elements.

      Put it right: Select a specific element, quote briefly, and explain how it creates meaning or effect.

    • Listing elements without explaining their function.

      Put it right: For each element, state what it does in the text and how it shapes the reader's response.

    • Treating elements as fixed ingredients that must appear.

      Put it right: Consider how texts may omit, combine or subvert conventional elements to produce distinctive effects.

    Exam tips

    • Build a mental checklist of elements before the exam and practise applying it to each set text so you can select the most relevant ones under timed conditions.
    • Use element-focused topic sentences, such as the red herring functions to..., rather than character-based descriptions.
    • When comparing, choose two or three elements that both texts share or handle differently, and make those the spine of your response.

    Try the lesson

    The start of the Elements of crime writing: The focus in this component must be on ‘Elements’ and students need to consider the elements that exist in each of their texts. lesson, made from checked teaching notes for this specification point.

    Have a go first

    A student writes an essay that retells the plot of a crime novel in detail but never discusses recurring features such as the detective figure or the significance of clues. According to the stated focus of this component, what is the main weakness of the essay?

    Listen

    This component asks you to study crime writing through its constituent elements rather than through plot summary or author biography. Elements include: the crime and its detection; the criminal, victim and detective; clues, red herrings and suspense; setting and atmosphere; narrative voice and structure; motifs such as locked rooms, doubles or confessions; and thematic concerns such as justice, guilt and punishment. When studying a set text, identify which elements are present, how they combine, and how they shape meaning. For example, a text may use a first-person confessional narrator to make the reader complicit, or a fragmented timeline to withhold information. The assessment rewards analysis of how these elements work, not merely noting that they appear. A strong answer earns marks for these points. Identify specific crime-writing elements in each set text, such as the detective figure, the clue, the red herring, the confession or the locked-room motif. Explain how elements interact to create effects such as suspense, surprise, moral uncertainty or social critique. Analyse how narrative form, including voice, tense, focalisation and structure, functions as an element of crime writing. Compare the presence and function of elements across set texts, showing how conventions are used, adapted or subverted. A common slip: Retelling the plot instead of analysing elements. Instead, select a specific element, quote briefly, and explain how it creates meaning or effect. Exam tip: Build a mental checklist of elements before the exam and practise applying it to each set text so you can select the most relevant ones under timed conditions.

    See it

    A top-down flowchart. A single node labelled 'Elements of crime writing' branches into seven element nodes: 'The crime and its detection', 'The criminal, victim and detective', 'Clues, red herrings and suspense', 'Setting and atmosphere', 'Narrative voice and structure', 'Motifs: locked rooms, doubles, confessions', and 'Thematic concerns: justice, guilt, punishment'. All seven element nodes lead into a node labelled 'Identify which elements are present', which in turn leads to a final node labelled 'How they combine and shape meaning'.
    It shows the crime-writing elements listed in the teaching note and how identifying them leads to analysing how they combine and shape meaning.

    Key words

    Say what each word means before you turn the card.

    Elements

    Try answering aloud or in your head before turning the card.

    Narrative form

    Try answering aloud or in your head before turning the card.

    Suspense

    Try answering aloud or in your head before turning the card.

    Conventions

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    See every definition
    Elements
    The constituent parts of crime writing, such as the crime and its detection, the criminal, victim and detective, clues, red herrings and suspense, setting and atmosphere, narrative voice and structure, motifs and thematic concerns.
    Narrative form
    An element of crime writing including voice, tense, focalisation and structure, which may be used to make the reader complicit or to withhold information.
    Suspense
    An effect created when elements interact, alongside surprise, moral uncertainty or social critique.
    Conventions
    Elements that texts may use, adapt or subvert, rather than fixed ingredients that must appear.

    Label the diagram

    Some boxes have lost their names. Pick the right name for each number.

    The diagram again, with 3 boxes numbered instead of named. A top-down flowchart. A single node labelled 'Elements of crime writing' branches into seven element nodes: 'The crime and its detection', 'The criminal, victim and detective', 'Clues, red herrings and suspense', 'Setting and atmosphere', 'Narrative voice and structure', 'Motifs: locked rooms, doubles, confessions', and 'Thematic concerns: justice, guilt, punishment'. All seven element nodes lead into a node labelled 'Identify which elements are present', which in turn leads to a final node labelled 'How they combine and shape meaning'.
    • 1Box 1

    • 2Box 2

    • 3Box 3

    0 of 3 labelled

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