AQA · A-Level · English Literature

    Course version: 7717 · Version from Sept 2026

    Gender politics and issues of social class

    Full specification wording

    Elements of political and social protest writing: gender politics and issues of social class

    Gender politics concerns how texts dramatise the distribution of power between men and women: who speaks, who is silenced, who owns property, who is confined to domestic space and who may act…

    Checked against the AQA 7717 specification (opens in a new tab) on .

    • Point 13 of 17
    • 4 key terms

    Study notes

    From the checked teaching notes for this specification point.

    The idea

    Gender politics concerns how texts dramatise the distribution of power between men and women: who speaks, who is silenced, who owns property, who is confined to domestic space and who may act publicly. Social class concerns hierarchies of wealth, birth, occupation and education, and how these shape opportunity, speech and status. In protest writing the two often intersect: a woman denied an education because of her sex may also be trapped by poverty, while a servant or worker may be doubly disadvantaged by class and gender. When you analyse, track concrete textual signals: pronouns and forms of address, who commands and who obeys, property and inheritance, dress and mobility, dialect against standard English, and settings such as drawing room, factory or street. Then argue how these details expose, criticise or complicate injustice, and whether the text imagines change.

    What earns the marks

    • Accurate use of the terms gender politics and social class, with each term defined through textual evidence rather than asserted.
    • Analysis of how power is distributed between characters, for example through command verbs, forms of address, interruptions or silence.
    • Exploration of intersection, showing how gender disadvantage and class disadvantage compound one another in a particular character or episode.
    • Reference to relevant contextual pressures, such as marriage law, property ownership, education, employment or suffrage, used to illuminate rather than replace close reading.
    • Consideration of the text's attitude: whether it exposes, satirises, mourns or endorses the inequalities it depicts.
    • Coherent argument sustained across a whole response, with each paragraph advancing the line of thought rather than listing observations.

    Common mistakes and how to put them right

    • Treating gender and class as separate checklists and never showing how they interact.

      Put it right by choosing one moment where both operate and analysing the overlap.

    • Paraphrasing plot and labelling it protest without analysing language, form or structure.

      Put it right by anchoring every claim to a quotation or structural feature.

    • Importing context as a history lesson detached from the text.

      Put it right by linking each contextual point to a specific word, image or pattern in the extract or whole text.

    • Assuming all female characters share one viewpoint or all working-class characters share another.

      Put it right by distinguishing individual attitudes and noting internal disagreement.

    Exam tips

    • Plan around an argument, not a character list: decide what the text is protesting about and how gender and class shape that protest.
    • Embed short quotations and analyse individual words, then widen to patterns across the text.
    • When context is relevant, integrate it into the sentence that analyses the quotation rather than adding a separate paragraph of background.
    • Keep the assessment objectives in balance: close analysis, contextual understanding and informed argument should all be visible.

    Try the lesson

    The start of the Elements of political and social protest writing: gender politics and issues of social class lesson, made from checked teaching notes for this specification point.

    Have a go first

    When analysing 'gender politics' in a political and social protest text, which approach best reflects the demands of the genre?

    Listen

    Gender politics concerns how texts dramatise the distribution of power between men and women: who speaks, who is silenced, who owns property, who is confined to domestic space and who may act publicly. Social class concerns hierarchies of wealth, birth, occupation and education, and how these shape opportunity, speech and status. In protest writing the two often intersect: a woman denied an education because of her sex may also be trapped by poverty, while a servant or worker may be doubly disadvantaged by class and gender. When you analyse, track concrete textual signals: pronouns and forms of address, who commands and who obeys, property and inheritance, dress and mobility, dialect against standard English, and settings such as drawing room, factory or street. Then argue how these details expose, criticise or complicate injustice, and whether the text imagines change. A strong answer earns marks for these points. Accurate use of the terms gender politics and social class, with each term defined through textual evidence rather than asserted. Analysis of how power is distributed between characters, for example through command verbs, forms of address, interruptions or silence. Exploration of intersection, showing how gender disadvantage and class disadvantage compound one another in a particular character or episode. Reference to relevant contextual pressures, such as marriage law, property ownership, education, employment or suffrage, used to illuminate rather than replace close reading. A common slip: Treating gender and class as separate checklists and never showing how they interact. Instead, choosing one moment where both operate and analysing the overlap. Exam tip: Plan around an argument, not a character list: decide what the text is protesting about and how gender and class shape that protest.

    See it

    A top-down flowchart. Two starting nodes sit side by side: 'Gender politics: power between men and women' and 'Social class: hierarchies of wealth, birth, occupation, education'. The gender node branches into two nodes, 'Who speaks, who is silenced' and 'Property, inheritance, domestic confinement'. The class node leads to 'Opportunity, speech and status shaped'. All three of these feed into a single node, 'Intersection: disadvantage compounded in one character or episode'. That leads down to 'Textual signals: pronouns, address, command and obedience, dialect, settings', then to 'Argue how details expose, criticise or complicate injustice', and finally to 'Does the text imagine change?'.
    Shows how gender politics and social class each shape power and opportunity, how they intersect in a character or episode, and how textual signals feed an argument about injustice and change.

    Key words

    Say what each word means before you turn the card.

    Gender politics

    Try answering aloud or in your head before turning the card.

    Social class

    Try answering aloud or in your head before turning the card.

    Intersection

    Try answering aloud or in your head before turning the card.

    Protest writing

    Try answering aloud or in your head before turning the card.

    See every definition
    Gender politics
    How texts dramatise the distribution of power between men and women: who speaks, who is silenced, who owns property, who is confined to domestic space and who may act publicly.
    Social class
    Hierarchies of wealth, birth, occupation and education, and how these shape opportunity, speech and status.
    Intersection
    How gender disadvantage and class disadvantage compound one another in a particular character or episode, such as a woman denied an education because of her sex who is also trapped by poverty.
    Protest writing
    Writing in which gender politics and social class often intersect, and which may expose, criticise or complicate injustice and imagine change.

    Label the diagram

    Some boxes have lost their names. Pick the right name for each number.

    The diagram again, with 3 boxes numbered instead of named. A top-down flowchart. Two starting nodes sit side by side: 'Gender politics: power between men and women' and 'Social class: hierarchies of wealth, birth, occupation, education'. The gender node branches into two nodes, 'Who speaks, who is silenced' and 'Property, inheritance, domestic confinement'. The class node leads to 'Opportunity, speech and status shaped'. All three of these feed into a single node, 'Intersection: disadvantage compounded in one character or episode'. That leads down to 'Textual signals: pronouns, address, command and obedience, dialect, settings', then to 'Argue how details expose, criticise or complicate injustice', and finally to 'Does the text imagine change?'.
    • 1Box 1

    • 2Box 2

    • 3Box 3

    0 of 3 labelled

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