Pearson Edexcel · A-Level · English Literature

    Course version: 9ET0 · Version from Sept 2015

    Poetry – Section B: Specified Poetry Pre- or Post-1900 – Pre-1900 – The…

    Full specification wording

    Component 3: Poetry – Section B: Specified Poetry Pre- or Post-1900 – Pre-1900 – The Romantic Period – English Romantic Verse, editor David Wright (Penguin Classics, 1973): Stanzas Written in Dejection, near Naples

    Composed in 1818, this introspective lyric contrasts the breathtaking beauty of the Italian coastline with the speaker's profound internal despair.

    Checked against the Pearson Edexcel 9ET0 specification (opens in a new tab) on .

    • Point 10 of 16

    Study notes

    From the checked teaching notes for this specification point.

    The idea

    Composed in 1818, this introspective lyric contrasts the breathtaking beauty of the Italian coastline with the speaker's profound internal despair. Shelley employs a modified Spenserian stanza to create a meditative, melancholic rhythm that underscores his sense of alienation. Analysis should focus on the shift from observing the external environment to the speaker's internal death wish, culminating in a desire to fade away unnoticed.

    What earns the marks

    • Analyse the juxtaposition between the idyllic, sensory descriptions of the Bay of Naples and the speaker's profound internal melancholy.
    • Evaluate the use of the modified Spenserian stanza and its effect on the poem's pacing and meditative tone.
    • Explore the theme of alienation, specifically the speaker's sense of being disconnected from both humanity and the natural world.
    • Assess how the poem reflects Romantic preoccupations with individual consciousness, emotional suffering, and the sublime.

    Common mistakes and how to put them right

    • Assuming the beautiful natural setting brings comfort to the speaker.

      Put it right: Emphasise that the beauty of the setting actually exacerbates the speaker's pain by highlighting his inability to share in its joy.

    • Misidentifying the form as standard blank verse or simple quatrains.

      Put it right: Correctly identify the nine-line stanzas as a variation of the Spenserian stanza, noting the final alexandrine line that elongates the rhythm.

    • Treating the poem merely as a diary entry without analysing its crafted poetic techniques.

      Put it right: Focus on Shelley's deliberate use of sensory imagery, repetition, and rhythmic variation to construct the persona's despair.

    Exam tips

    • Use this poem to discuss the limits of the Romantic sublime, noting how nature's beauty fails to provide spiritual healing for this specific speaker.
    • Track the progression of the speaker's emotional state across the stanzas, from passive observation to a longing for a peaceful death.
    • Compare the theme of isolation here with other Romantic poems to demonstrate a nuanced understanding of the period's diverse attitudes towards solitude.

    Try the lesson

    The start of the Component 3: Poetry – Section B: Specified Poetry Pre- or Post-1900 – Pre-1900 – The Romantic Period – English Romantic Verse, editor David Wright (Penguin Classics, 1973): Stanzas Written in Dejection, near Naples lesson, made from checked teaching notes for this specification point.

    Have a go first

    In Percy Bysshe Shelley's 'Stanzas Written in Dejection, near Naples', what primary contrast is established between the first and second stanzas?

    Listen

    Composed in 1818, this introspective lyric contrasts the breathtaking beauty of the Italian coastline with the speaker's profound internal despair. Shelley employs a modified Spenserian stanza to create a meditative, melancholic rhythm that underscores his sense of alienation. Analysis should focus on the shift from observing the external environment to the speaker's internal death wish, culminating in a desire to fade away unnoticed. A strong answer earns marks for these points. Analyse the juxtaposition between the idyllic, sensory descriptions of the Bay of Naples and the speaker's profound internal melancholy. Evaluate the use of the modified Spenserian stanza and its effect on the poem's pacing and meditative tone. Explore the theme of alienation, specifically the speaker's sense of being disconnected from both humanity and the natural world. Assess how the poem reflects Romantic preoccupations with individual consciousness, emotional suffering, and the sublime. A common slip: Assuming the beautiful natural setting brings comfort to the speaker. Instead, Emphasise that the beauty of the setting actually exacerbates the speaker's pain by highlighting his inability to share in its joy. Exam tip: Use this poem to discuss the limits of the Romantic sublime, noting how nature's beauty fails to provide spiritual healing for this specific speaker.

    See it

    A top-down flowchart. One branch begins with a node reading 'Vibrant external landscape: transparent waves, Bay of Naples', which leads to 'Speaker's internal despair: lacking hope, health and peace'. That leads to 'Beauty of setting exacerbates the speaker's pain', then to 'Sense of alienation from humanity and the natural world', then to 'Shift from observing the external environment to internal death wish', and finally to 'Desire to fade away unnoticed'. A second branch starts with 'Modified Spenserian stanza, final alexandrine line', which leads to 'Meditative, melancholic rhythm and pacing', and that node feeds into 'Speaker's internal despair'.
    It shows how the beautiful external landscape contrasts with the speaker's despair and leads, through alienation, to a longing to fade away unnoticed, with the modified Spenserian stanza shaping the melancholic tone.

    Label the diagram

    Some boxes have lost their names. Pick the right name for each number.

    The diagram again, with 3 boxes numbered instead of named. A top-down flowchart. One branch begins with a node reading 'Vibrant external landscape: transparent waves, Bay of Naples', which leads to 'Speaker's internal despair: lacking hope, health and peace'. That leads to 'Beauty of setting exacerbates the speaker's pain', then to 'Sense of alienation from humanity and the natural world', then to 'Shift from observing the external environment to internal death wish', and finally to 'Desire to fade away unnoticed'. A second branch starts with 'Modified Spenserian stanza, final alexandrine line', which leads to 'Meditative, melancholic rhythm and pacing', and that node feeds into 'Speaker's internal despair'.
    • 1Box 1

    • 2Box 2

    • 3Box 3

    0 of 3 labelled

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